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When the News Broke

Chicago 1968 and the Polarization of America

https://press.uchicago.edu/ucp/books/book/chicago/W/bo183630531.html

cover image of When the News Broke

A riveting, blow-by-blow account of how the network broadcasts of the 1968 Democratic convention shattered faith in American media.

“The whole world is watching!” cried protestors at the 1968 Democratic convention as Chicago police beat them in the streets. When some of that violence was then aired on network television, another kind of hell broke loose. Some viewers were stunned and outraged; others thought the protestors deserved what they got. No one—least of all Chicago mayor Richard J. Daley—was happy with how the networks handled it.

In When the News Broke, Heather Hendershot revisits TV coverage of those four chaotic days in 1968—not only the violence in the streets but also the tumultuous convention itself, where Black citizens and others forcefully challenged southern delegations that had excluded them, anti-Vietnam delegates sought to change the party’s policy on the war, and journalists and delegates alike were bullied by both Daley’s security forces and party leaders. Ultimately, Hendershot reveals the convention as a pivotal moment in American political history, when a distorted notion of “liberal media bias” became mainstreamed and nationalized.

At the same time, she celebrates the values of the network news professionals who strived for fairness and accuracy. Despite their efforts, however, Chicago proved to be a turning point in the public’s trust in national news sources. Since those critical days, the political Right in the United States has amplified distrust of TV news, to the point where even the truest and most clearly documented stories can be deemed “fake.” As Hendershot demonstrates, it doesn’t matter whether the “whole world is watching” if people don’t believe what they see.

“A disturbing clarity into the current biased news coverage is revealed through analysis of past industry reporting standards.”
—Library Journal

Open to Debate

How William F. Buckley Put Liberal America on the Firing Line

https://www.harpercollins.com/9780062430458/open-to-debate

“Hendershot lauds Buckley for the intelligence, honesty, wit, civility, and élan with which he developed meaningful dialogues … A cogent reminder of what political broadcasting could be.”
—Booklist (starred review)

“Clever…a good introduction not only to Buckley and smart conservative thought but (strange concept) a sadly disappeared politics of civility.”
—Los Angeles Times

“William F. Buckley and his long-running, unique show Firing Line provides a window (if sometimes a curved mirror) through which to see a turbulent and transformative time in American politics. If you want to step into a time machine for a look back, this book is your ticket.”
—Ira Glasser, American Civil Liberties Union Executive Director 1978-2001

“Hendershot does more than tell the history of a uniquely influential show and personality; her thorough, compelling, and very readable book provides a three-decade journey through the center of the nation’s intellectual life.”
—Publishers Weekly

“A thoroughly researched work replete with intelligence, admiration, balanced criticism, and even a bit of nostalgia.”
—Kirkus Reviews (starred review)

A unique and compelling portrait of William F. Buckley as the champion of conservative ideas in an age of liberal dominance, taking on the smartest adversaries he could find while singlehandedly reinventing the role of public intellectual in the network television era.

When Firing Line premiered on American television in 1966, just two years after Barry Goldwater’s devastating defeat, liberalism was ascendant. Though the left seemed to have decisively won the hearts and minds of the electorate, the show’s creator and host, William F. Buckley—relishing his role as a public contrarian—made the case for conservative ideas, believing that his side Continue reading “Open to Debate”

What’s Fair on the Air?

COLD WAR RIGHT-WING BROADCASTING AND THE PUBLIC INTEREST

http://press.uchicago.edu/ucp/books/book/chicago/W/bo11462413.html

The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. Continue reading

Shaking the World for Jesus

MEDIA AND CONSERVATIVE EVANGELICAL CULTURE

http://press.uchicago.edu/ucp/books/book/chicago/S/bo3629610.html

In 1999, the Reverend Jerry Falwell outed Tinky-Winky, the purple character from TV’s Teletubbies. Events such as this reinforced in many quarters the common idea that evangelicals are reactionary, out of touch, and just plain paranoid. But reducing evangelicals to such caricatures does not help us understand their true spiritual and political agendas and the means they use to advance them. Shaking the World for Jesus moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s. Continue reading “Shaking the World for Jesus”

Nickelodeon Nation

The History, Politics, and Economics of America’s Only TV Channel for Kids

http://nyupress.org/books/9780814736524/

Nickelodeon is the highest rated daytime channel in the country, and its cultural influence has grown at an astounding pace. Why are Nickelodeon shows so popular? How are they developed and marketed? And where do they fit in the economic picture of the children’s media industry? Nickelodeon Nation, the first major study of the only TV channel just for children, investigates these questions.

Intended for a wide range of readers and illustrated thorughout, the essays in Nickelodeon Nation are grouped into four sections: economics and marketing; the production process; programs and politics; and viewers. Continue reading “Nickelodeon Nation”

Saturday Morning Censors

Television Regulation before the V-Chip

https://www.dukeupress.edu/saturday-morning-censors

Many parents, politicians, and activists agree that there’s too much violence and not enough education on children’s television. Current solutions range from the legislative (the Children’s Television Act of 1990) to the technological (the V-chip). Saturday Morning Censors examines the history of adults’ attempts to safeguard children from the violence, sexism, racism, and commercialism on television since the 1950s. By focusing on what censorship and regulation are and how they work—rather than on whether they should exist—Heather Hendershot shows how adults use these processes to reinforce their own ideas about childhood innocence. Continue reading “Saturday Morning Censors”